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This article set out to explore the origins and career impact Roberto Pignataro's 1970 exhibition at the Miami Museum of Modern Art. However, it inadvertently uncovered a different story: the gripping saga of two men from distant corners of the globe, Roberto Pignataro fronm Argentina and Bernard Davis from the US, striving to organize an international art show as they grapple with the fallout from a catastrophic incident.
Between 1962 and 1967, Pignataro created several series of miniature abstractions. What led him to adopt and embrace this curious format?
This article examines Roberto Pignataro’s most expressionist exhibition in the context of the political violence that characterized mid-century Argentina.
A brief account of Roberto Pignataro’s first time showing his artwork in a public setting in November 1957 during an art competition organized by popular radio station “LRA Radio Nacional”
Roberto Pignataro was an Argentine Informalist artist. He became very active in the Buenos Aires art scene in the late 1950s, producing up to two exhibitions per year until the mid-1980s when he retired.
During this period, Pignataro developed distinctive forms of abstraction, which he commonly materialized as mixed media compositions including oil painting, paper collage, assemblage, and other techniques.
His exhibitions were typically held at traditional art venues in downtown Buenos Aires, including“Galería J. Peuser”, “Galería Van Riel”, “Galería Lirolay” and “Asociación Estímulo de Bellas Artes”. He also experimented with less conventional venues, such as pop-up exhibits at galleria malls and self-publishing abstract books.
Pignataro’s artistic trajectory spanned four decades, including:
LRA Radio Nacional art contest (1957)
Twenty-seven solo art exhibitions (1959-1982)
Two collective art shows: "Los Pintores Argentinos en LRA Radio Nacional“ (1958) and “Collages” (1982)
One international exhibition at the Miami Museum of Modern Art, USA (1970).
A total of 400 original art pieces exhibited, often at historical Buenos Aires art venues such as Galería Lirolay, Galería Van Riel, and Salón J. Peuser.
One original collage and copies of two of his art books were acquired by the permanent collection of the Buenos Aires Museum of Modern Art.
The galleries below present collections of photos, slides, promotional material, newspapers clips, personal notes, transcripts, etc. that Roberto Pignataro preserved from his art exhibitions. The galleries are updated frequently as new archival material is found and catalogued.
(Copyright © 2019 The Estate of the Pignataro Family. All Rights Reserved)